Joseph Nechvatal


Biography

 Joseph Nechvatal

 

1951      Born in Chicago, Illinois

              Lives and works in Paris and in New York 

 

Education

 

1974          B.F.A. Southern Illinois University

1974-75    M.F.A. Studio Work Cornell University

1977-78    M.Phil. Work in Philosophy Columbia University

1999          Ph.D. in the Philosophy of Art at the Centre for Advanced Inquiry in the Interactive Arts (CAIIA), 

                   University of Wales, Newport, Wales, U.K.

1999          Professor at The School of Visual Arts, NYC

2003          Professor at The Stevens Institute of Technology, Hoboken, N.J.

 

 

Selected one-Person exhibitions

 

2020      Orlando et la Tempête, Galerie Richard, Paris 

              Informed Men, Galerie Richard, Online Kunstmatrix 

              Viral Venture, White Page Gallery / Fuori Visioni Art Center, Piacenza

 

2019     Computer Virus Project 1.0, J. Yuan & Associates, New York, NY

 

2018       viral pastOral pleasures, Galerie Omnius, Arles, France

 

2017     Computer Virus 1.0 and the Return of Lazarus, Galerie Richard, New York, NY

 

2016       Destroyer of Naivetés: COMPUTER VIRUS 1.0, Galerie Richard, Paris

              1% Owns 50% of the World, Anthology film Archives, New York, NY

 

2015     Odyssey pandemOnium, Galerie Richard, New York, NY

             viral castratO, Budapest Art Factory, Budapest

            bOdy pandemOnium, Art Laboratory Berlin; Berlin

 

2014      PrOtOcOls nOn, Galerie Richard, Paris

            Joseph Nechvatal: From Photography to Post Photography, Galerie Omnius, Arles, France

 

2013     Aesthetic States of Frenzy, The New School, New York, NY

             Destroyer of Naivetés (live projection), Neurosciences, Esthétique et Complexité, GDR ESARS, Paris

 

2012       nOise anusmOs, Galerie Richard, New York, NY 

 

2011       Viral Venture large screen projection, Beatrice Theatre, School of Visual Arts, New York City

 

2010       art rétinal revisité: histoire de l`Oeil, Galerie Richard, Paris

               vOglia, Claudio Bottello Galerie, Torino, Italy

               Viral Venture, École Supérieure d'AudioVisuel, Université de Toulouse le Mirail, Toulouse

 

2009       terra incOgnitO, WM Turner Gallery, Atlanta, GA

 

2008       Joseph Nechvatal: Recent Paintings, Galerie Richard, Paris

 

2006       The Butler Institute of American Art’s Beecher Center, Youngstown, OH

               Metaphysics and the Virtual, Roger Smith Lab Gallery, New York, NY

 

2005       Contaminations, Le Château de Linardié, Senouillac, France

               Translaocation of the Virtual Reality, Galerie In Situ, Aalst, Belgium

               Ex-naturae, la Chapelle des Templiers, Metz, France

 

2004       Aventures Virales, Galerie Mabel Semmler, Paris

               Real Time, Universal Concepts Unlimited Gallery, New York, NY

               After Virus, Galerie RLBQ, Marseille, France

               Viral Counter-Attack, Espace Landowski, Paris

               After Attack, Heart Galerie, Paris (with Music2eye)   

 

2002       vOluptuary, an algorithic Hermaphornology, Universal Concepts Unlimited Gallery, New York, NY

 

2001       Compliant 2.0 Libidinal Bodies in the Bit-stream (Enhanced Corpus Rotundum), Julia Friedman 

                Gallery, Chicago, IL

               Transformers (with  Virus Projects 1.0 & 2.0), Moving Image Gallery, NY

               SilicOn valley : nunciative mOdality and a viral redux, Galerie Karin Sachs, Munich 

 

2000       es-satyricOn 2000, Universal Concepts Unlimited Gallery, NY

 

1999       Viral Beauty, Boston Cyber Arts, Boston  

 

1997       Das Neural Netz, Galerie Karin Sachs, Munich

 

1996       Joseph Nechvatal Retrospective, Galerie Berndt, Köln

               Joseph Nechvatal & Steve Miller, Parsons Gallery, Paris

 

1995       Alt.sex, Galerie In Situ, Aalst, Belgium

               Les Archons, Galerie Multimedia, Paris

               Angels, Broken Hearts and Computer Viruses, Galerie Karin Sachs, Munich

 

1994       Computer Virus Project, Espace d'Art Yvonamor Palix, Paris 

               Computer Virus Project, Galerie In Situ, Aalst, Belgium

               Information Bruit Culture, Galerie Traje, Besancan, France

 

1993       Computer Virus Project, The Saline Royale, Arc-et-Senans, France

               The Destiny of Painting, Galerie Karin Sachs, Munich

 

1992       Joseph Nechvatal, Galerie Antoine Candau, Paris  

               Tombeaux, Brooke Alexander, New York, NY

 

1991       Joseph Nechvatal, Shoshana Wayne Gallery, Santa Monica, CA  

 

1990       Musée des Beaux Arts, Dôle, France 

               Brooke Alexander, New York, NY

               Galerie Karin Sachs, Munich

               Galerie Antoine Candau, Paris 

 

1989       Gallery Fahl, Stockholm, Sweden

               Anders Tornberg Gallery, Lund, Sweden

               Shoshana Wayne Gallery, Santa Monica, CA

 

1988       Joseph Nechvatal Computer-Robotic Paintings: 1986-1987, Illinois State University, Normal, IL

               De Selby Gallery, Amsterdam

               Galerie Antoine Candau, Paris

 

1987       Brooke Alexander, New York, NY

               Neuer Aachener Kunstverein, Aachen, Germany

               Gallery Engstrom, Stockholm, Sweden

 

1986       Joseph Nechvatal: Photographs,Greathouse, New York, NY

               Anna Friebe Galerie, Köln Germany

               Vanquard Gallery, Philadelphia, PA

 

1985       Brooke Alexander, New York, NY

               Anders Tornberg Gallery, Lund, Sweden

               XS: An Installation, Gray Art Gallery, East Carolina Univerity, Greenville, NC

 

1984       Brooke Alexander, New York, NY

               Joseph Nechvatal: Grace Under Pressure, Gallery Nature Morte, New York, NY

 

1983       Joseph Nechvatal, Brooke Alexander, New York, NY

               Joseph Nechvatal, Semaphore Gallery, New York, NY

               Joseph Nechvatal, Spiritual America, New York, NY

 

1982       Joseph Nechvatal: The Occult Power of Technology: Part II, The Kitchen, New York, NY

 

1981       The Occult Power of Technology: Part I, P.S. #1, Long Island City, NY

               Joseph Nechvatal, Real Art Ways, Hartford, CT

 

 

Selected Group exhibitions

 

2020      Untitled, Galerie Richard, Paris

                Viral Venture, The Sensorium Art Show: Media Virality and the Lockdown Aesthetic, University of

                East London, University Square Stratford, London

             Audiosphere: Social Experimental Audio, Pre- and Post-Internet, Museo Nacional Centro de Arte

             Reina Sofía, Madrid, Spain

             Non/Voluti, Politecnico, Milano, Italy

             Festival del silencio, Aparador Cuchilla, Mexico City

 

 2019                   30 ans, Galerie Richard, Paris

             Art and Artificial Intelligence, ZKM: Center for Art and Media, Karlsruhe, Germany

             Encountered Error, Société, Brussels, Belgium

 

 2018                   Digital Painting – Part 1, Galerie Richard, New York, NY

                 Plato’s Cave, EIDEA House, Brooklyn, NY

                80’s New York, Brooke Alexander Gallery, New York, NY

            Color Matters, Galerie Richard, New York, NY

             Mark Me / Group Drawing Show, Cross Contemporary Art, Saugerties, New York, NY

 

2017       Body Esc: Taboo - Transgression - Transcendance in Art & Science 26-28 May 2017, Ionian

               University, Corfu Greece

                   The Real Estate Show: Documentation of the original show from 1980 from the Archive

                    Collection of ABC No Rio, Spor Klubu, Berlin

              The Real Estate Show Extended/Berlin, Kunstpunkt, Berlin

              arte/scienza/biotecnologia II, Museo del Ferrocarril, San Luis Potosf, Mexico

              Collection Particulière, Galerie Omnius, Arles, France

               Publishing as an Artistic Toolbox, Kunsthalle Wien, Vienna (Tellus #20 Media Myth, curated by                     Joseph Nechvatal, exhibited)

 

 

2016     Every Future Has A Price: 30 Years After Infotainment, Elizabeth Dee Gallery, New York City

              Paradise: underground culture in NYC 1978-84, Steven Harvey Fine Art Projects, New York  City

             arte/scienza/biotecnologia, Museo Nacional de la Máscara, San Luis Potosí, Mexico

         A More Store, Printed Matter, Inc., New York City

         AHA Festival, Chalmers University of Technology, Departments of Architecture and Physics,                                      Gothenburg Sweden

         Battambang International Digital Arts Festival, Battambang, Cambodia (July 19th - 24th) Zan-A-Key                         Art Space, showing Les 1% possèdent 50% du mode (1% Owns 50% of the World) loop 2015

 

2015     Typology/Morphology Work from the Institute for Electronic Arts, Fosdick-Nelson Gallery Director,                  Sharon McConnell School of Art and Design NYSCC at Alfred University, Alfred, New York

             Art Film Festival Asolo XXXIV Edizione, Asolo, Italy, Viral Venture screened November 4th

 

2014     Paris: 25 Years, Galerie Richard, Paris

            The Real Estate Show, What Next, James Fuentes Gallery, New York, NY

            RESx, ABC No Rio, New York, NY

            20ème anniversaire de l'IESA multimedia, Espace Pierre Cardin, Paris

 

2013     It's New / It's Now: Recent Gifts of Contemporary Prints and Drawings, Minneapolis Institute of Art, 

              Minneapolis, MN

             Show Off, Espace Pierre Cardin, Galerie Richard, Paris, France

          Machinarium, Hi Future Ipanema, Brazil

                         

2012       One Year in New York, Galerie Richard, New York City

               Desperately Seeking Susan, Kathleen Cullen Fine Arts, New York, NY

 

2011       A Show about Colab (and Related Activities) Printed Matter, New York, NY

               Art, Access & Decay: New York 1975-1985, Subliminal Projects, Los Angeles

               Looking at Music 3.0, (Tellus) MOMA, New York, NY

               Art Protects, Galerie Yvon Lambert, Paris, France

               Pixxelpoint, Nova Gorica, Slovenia

               Papay Gyro Nights 2011 Art Festival, Tredall, Papay Westray, Papay, Orkney 

               Faculty Selects, Fine Arts Gallery, Westchester Community College, Valhalla, NY

 

2010       Parallel Threads, School of Visual Arts Gallery, New York, NY

               Electronic work in the Collection Frank Popper, Centre d'Art Contemporain Frank Popper, 

                Marcigny, France

               Sunday's Screening #2, Galerie Magda Danysz, Beijing

               Piano Eye (with Christophe Avella-Bagur and Stefan Hoenerloh), Galerie Richard, Paris

 

2009       Maniac, Artspace Hartford, Hartford, CT

               Art Protects, Galerie Yvon Lambert, Paris, France

               Colab Show, 100 Church Street, New York, NY

               Best of Digital Art, Digital Art Museum, Berlin

               Redux, Wm Turner Gallery, Atlanta, Georgia, USA    

 

2008       Beaux Arts: French Contemporary, Wm Turner Gallery, Atlanta, GA

               Colab Reduxe, Brooke Alexander Gallery, New York, NY

               After The Net, Observatori, Valencia, Spain

               ECAM 2008, The National Center for the Arts, Mexico City, Mexico

               Continuous Current, Westside Gallery, New York, NY

 

2007       The End(s) of Photography: Modeling the Photographic, McDonough Museum of Art, 

               Youngstown, OH

               Insatiable Streams, Beijing BS1 Contemporary Art Center, Caochangdi, China

               iea: Ten Years of The Institute for Electronic Arts, BS1 Contemporary Art Center and Zero 

               FieldArt Center, Beijing

               Sound Art in a Limo, in coopération with Armory Art Fair, New York, NY

               AIDES, Yvon Lambert, Paris

 

2006       The Downtown Show : The New York Art Scene 1974-1984, Grey Art Gallery. New York, NY

               Reshuffle, Center for Curatorial Studies Bard College, New York, NY

                The Downtown Show : The New York Art Scene 1974-1984, Andy Warhol Museum, Pittsburgh, PA

                The Downtown Show : The New York Art Scene 1974-1984, Austin Museum of Art, Austin, TX

                Honest Echo, 2 X 13 Gallery, New York, NY

                Computer Fine Art Collection of Doron Golan, Ausstellungsräume des Digital Art Museum, Berlin

                Numeripop, Viral Counter Attack (with music2eye) St Brieuc, France

                Re:connect, Institute for Electronic Arts, Alfred, New York, NY

 

2005       ElectroScape, Shanghai Zendai Museum of Modern Art, Shanghai

               6eme carrefour de l'image de l'Océan Indien, Le Port. Ile de la Réunion

               Vintage East Village, Hal Bromm Gallery, New York, NY

 

2004       Digital Sublime: Gwangju Biennale, MOCA, Taipei 

               Reprotech, New York Academy of Science, New York, NY

               Image-Mouvement, Metz France (with music2eye)    

               Hyper-Runt: Anxiety and Malformation in the Techno Womb, Inliquid, Philadelphia, PA

               Art In Motion, University of Southern California School of Fine Arts, LA

               Touch and Temperature, Bitforms Gallery, New York, NY

               trans>, Participant Inc, New York, NY

               Viral Counter Attack, Art Metz. Foire Européenne d'Art Contemporain, Metz, France    

               Digital Stories, [DAM] Ausstellungsräume des Digital Art Museum, Berlin 

               East Village USA, New Museum, New York, NY

               Touch and Temperature, Deborah Colton Gallery, Houston, TX

               Viral Counter Attack, Résidence à la Gaîté lyrique. Paris. France

               Viral Counter Attack, Galerie RLBQ. Festival RIAM01, Marseille, France

 

2003       Synthetic Lightings: Complex Simulations of Nature, Center for Photography, Woodstock, NY

               Notebook Artscape, Pinkard Gallery, Maryland Institute College of Art, Baltimore, PA

               The Spiritual In Digital Art, Evergreen Cultural Centre, Coquitlam, Canada

               Open For Action, The Center For Book Arts, New York, NY

               FuturNET, Rome 

               Peam2003, Pescara, Italy  

 

2002       Post-Flesh, University Gallery, California State University, Sacramento, CA

               media_city seoul 2002, Seoul Museum of Art, Seoul, South Korea

               Ornamente  : 3 Positions of Conceptual Art, Galerie Berndt, Köln

               Night Vision, Illinois State University, Normal, IL

               Reality Revisited, In Situ, Aalst, Belgium 

               Reality Revisited, Galerie Martin Kudlek, Köln

               Contaminaction, Jeune Creation, Paris

               Night Vision, White Columns, New York, NY

               Split Festival, Split, Croatia

               info@blah :: mining the data glut, iKatun, Boston

 

2001       Cin-o-matic: Memory and Cinematic Perception, The New Museum, New York,  NY

               LE PROJET VIRUS 2001, Mains D’Oeuvres, Paris

               The Collector, Universal Concepts Unlimited Gallery, New York, NY

               1.44 Megs, Moving Image Gallery, New York, NY

               The Graphic Art Biennial, Györ, Hungary

 

2000       R.E.D. - Remote Experience Dependency, UCU Gallery, New York, NY

                Noise: The Digital and the Discrete, Whipple Museum of the History of Science, Cambridge, MA

                The Perpetual Well, Samuel Harn Museum of Art, Gainesville, FL

                The Perpetual Well, Parrish Art Museum, Southhampton, NY

                Rounders, UCU Gallery, New York, NY

                polyALTERITY, UMF Art Gallery, Farmington, ME

 

1999       Reflex: Matthias Groebel, Joseph Nechvatal & Endre Tót, Galerie Berndt, Köln

               Digital Hybrids, McDonough Museum of Art, Youngstown, OH                                                    

               TheTecho-Digital Sublime, Central Fine Arts, New York, NY

               Ma(r)king, Central Arts, Tuscon, AZ

               Three Computer-related Artists, Galerie Berndt, Köln

               Links: Schilderkunst in Extremis? Kunstcentrum Sittard, Maastricht

               Diverse Dialogues, Aljira Center for Contemporary Art, Newark, NJ

               Old School, Life, New York City, curated by Carlo McCormick

 

1998       Body Mécanique, Wexner Center, Columbus, OH

               Thundergulch: Computer Arts Fellows, New York Technology Center, NY 

               Chaos and Capacity, Central Fine Arts, Inc. New York, NY

 

1997       Art Fractal, Galerie Richard, Paris

               Zoom (Fractal), Stae University of New York, NY, Purchase (catalogue)

 

1995       Blast, Bioinformatica, Kolnischer Kunstverein, Köln

               Blast,, Galerie des Archives, Paris 

               Veered Science, Huntington Beach Art Center, CA 

               In Corpus Machina, Espace d'Art, Paris

               Blast, Bioinfomatica, Javier Lopez Gallery, London

               Reinventing The Emblem, Yale University Art Gallery, New Haven, CT 

               Die Schnheit Der Fraktale, Galerie Karin Sachs, Munich

               Transiti, Arx Art Gallery, Turino

               Art Fractal: été, Galerie Angle Art Contemporain, St. Paul-Tro Château

 

1994       Excess in the Techno-Mediacratic Society, Shoshana Wayne Gallery, Santa Monica, CA   

               Art & Virus, Gallery Yaki Kornblit, Amsterdam

               Tohu-Bohu, Galerie de l'Etoile, Paris 

               Art & Virus, Galleria Del Ventaglio Contemporanea, Udine

               Lo Specchio di Proteo, Perugia, Alessandria 

               Figures d'Origines, Chapelle Salpêtrière, Paris 

 

1993       Computeruntersttzte Kunst, Kunstlerwerkstatt, Munich 

               L'Opera Al Femminile, Galleria Arx, Turino

               Excess in the Techno-Mediacratic Society, Musée d'Arbois, France 

               Excess in the Techno-Mediacratic Society, Galerie Krinzinger, Vienna 

                Bodies, Atelier of Philip Pocock, Köln

                Mediale Hamburg (catalogue)

              Erlebnis E Alterita, Galleria Marco Noire, Turino

              Hiding / Revealing, Galerie In Situ, Aalst

              La Fractalité dans l'Art, Campus de La Doua, Villeurbanne, Mediale Hamburg 

              Painting as Paradigm, Stark Gallery, New York, NY

              Procédures Informatiques, Ecole Nationale Supérieure des Beaux Arts, Paris

              Presentation, Neuer Aachener Kunstverein, Aachen

 

1992       Ecstasy, Dooley Le Cappellaine, New York, NY

               L'Epreuve Numérique, Centre National de la Photographie, Paris

               New York, NY Artists, Galerie Bernhard Steinmetz, Bonn

               10th Anniversary Visiting Artists Exhibition, Ewing Gallery, University of Tennessee, Knoxville, TN

               Representation, Reproduction and Photography, Usdan Gallery, Bennington College, 

               Bennington, VT

 

1991       Outside America: Going into the 90s, Fay Gold Gallery, Atlanta, GA

               Dilation, performed by the ballerina Lauren Houser at the residence of Bil Ehrlich, New York, NY

 

1990       20th Anniversary Exhibition White Columns, New York, NY

               All Quiet on the Western Front, Galerie Antoine Candau, Paris 

               The Unique Print: 70s into 90s, Lois & Michael Torf Gallery, Museum of Fine Arts, Boston, MA

               Exchange of Information, New York, NY Telephone New York, NY

               Le Tableau des Riches Inventions, Picaron Editions, Amsterdam

 

1989       Theater on Paper, The Drawing Center, New York, NY

               Once upon A Time There Was A Photograph, Barbara Gillman Gallery, Miami, FL

               After Collapse: Rebuilding Expressive Media, State University, Amherst, MA

               Strange Attractors: Signs of Chaos, The New Museum of Contemporary Art, New York, NY 

               Standplaats AKI, Akademie Voor Beeldende Kunst, Enschede, The Netherlands

               Moderne Kunst, Malmo Kunsthallen Brandts Klaedefabrik, Odense, Malmo, Sweden

               Erotic America, Galerie Antoine Candau, Paris 

               The Man Who Believed He Could Move: A Celebration of the Bicentennial of the French Revolution

               Dia Art Foundation, New York, NY

 

1988       Art at the End of the Social, Rooseum, Malmo, Sweden

               New Visions of the Apocalypse, Museum of Art, Rhode Island School of Design, Providence, RI 

               New York, NY Now, Guthenberg Art Museum, Switzerland and Finland

               Computer Assisted: The Computer in Contemporary Art, Albright College, Reading, PA.

               Committed to Print, The Museum of Modern Art, New York, NY

               Perpetual Subversions, Bruno Facchetti, New York, NY

 

1987       Documenta 8, Kassel  

               Chemical Field, De Zaak, Groningen

               Digital Visions: Computers and Art, Everson Museum of Art, Syracuse

               Digital Visions: Computers and Art, IBM Gallery, New York,  NY

               New Coordinates, Simard, Halm and Shee Gallery, Los Angeles, CA   

               This is not a Photograph: Twenty Years of Large-Scale, Photography: 1966-1986 

               The John & Mable Ringling Museum of Art, Sarasota, Fl

               This is not a Photograph: Twenty Years of Large-Scale, Photography: 1966-1986, Akron Art 

                Museum, OH

               This is not a Photograph: Twenty Years of Large-Scale, Photography: 1966-1986, The Chrysler 

                Museum, Norfolk, VA

                Not a Door; A Spectacle, in collaboration with Scott B. Billingsley , Hallwalls, Buffalo, NY

 

1986       Drawings from the Collection of Dorothy and Herbert Vogel, University of Arkansas, 

                Little Rock, AR

               Drawings from the Collection of Dorothy and Herbert Vogel, University of Alabama Moody Gallery 

                of Art , AL

                Drawings from the Collection of Dorothy and Herbert Vogel, Tuscaloosa Pennsylvania 

                State University, PA 

                Drawings from the Collection of Dorothy and Herbert Vogel, Palmer Museum of Art, University 

                 Park, AK

                Il Cangiante, Padiglione d'Arte Contemporanea, Milano

                Metabody, Hallwalls, Buffalo, NY 

                Spiritual America, CEPA, Buffalo, NY

                Pay Attencion, Brandts Palchus Galleri, Copenhagen

                Time after Time, Diane Brown Gallery, New York, NY

                Face It, Anders Tornberg Gallery, Lund, Sweden

                Drawings, Piezo Electric, New York, NY

                XS: The Opera, with Rhys Chatham, Shakespeare Theatre, Boston, MA

 

1985       Whitney Biennial: Group Material, The Whitney Museum of American Art, New York, NY

                Infotainment,Texas Gallery, Houston, TX 

                Infotainment, Rhona Hoffman Gallery, Chicago, IL 

                Infotainment, Vanquard Gallery, Philadelphia, PA

                Infotainment, Aspen Art Museum, Aspen, CO

                Infotainment, De Selby Gallery, Amsterdam 

                Infotainment, Galerie Montenay-Delsol, Paris 

                Correspondences: New York, NY Art Now, Laforet Museum Harajuku, Tokyo 

                Correspondences: New York, NY Art Now, Tochigi Prefectural Museum of Fine Arts, Utsunomiya

                Correspondences: New York, NY Art Now, Tagaki Hall Espace Media, Kobe 

                Anniottanta Castel Sismondo, Palazzina Moster, Chiesa di Santa Maria ad Nives, Rimini

                Anniottanta Castel Sismondo, Galleria Comunale d'Arte Moderna, Bologna       

                Memento Mori, Moore College of Art Gallery, Philadelphia, PA

                The End of the Night, with Rhys Chatham, Los Angeles County Museum of Art, Los Angeles, CA

                XS: Night of Power, with Rhys Chatham, 8 BC, New York, NY

                XS: Night of Power, with Rhys Chatham, Quando, New York, NY

 

1984       Drawings, Paintings, and Sculpture, Brooke Alexander, New York, NY

               Smart Art: New Work from New York, NY, Carpenter Center for the Visual Arts, Harvard University, 

            Cambridge, MA

               Disarming Images: Art for Nuclear Disarmament, Contemporary Arts Center, Cincinnati, OH

               Via Satellite, Amerika-Haus, Köln 

               Natural Genre, Fine Arts Gallery, School of Visual Arts, Florida State University, FL 

               The New Capital, White Columns, New York, NY

               Drawings by Contemporary Figurative Artists, Meyerhoff Gallery, Maryland Institute, College of Art, 

               Baltimore, PA 

               Humanism: An Undercurrent, University of South Florida, Tampa, FL

               Contemporary Perspectives, Center Gallery, Bucknell University, Lewisburg, PA

               Motives, Albright-Know Art Gallery, Buffalo, NY 

               New York, NY New: 26 Artists, Studio di Corrado Levi, Milano

               Dessins, Galerie Gillespie-Laage-Salomon, Paris

               Romance and Catastrophe, Piezo Electric, New York, NY

               XS: The Opera Opus, with Rhys Chatham, Pyramid Club, New York, NY

               XS: The Opera Opus, with Rhys Chatham, Club Danceteria, New York, NY

               XS: The Opera Opus, with Rhys Chatham, 8 BC Club, New York, NY

               XS: The Opera Opus, with Rhys Chatham, Dannheisser Foundation, New York, NY

 

1983       New York, NY,  Kunstmuseum, Aalborg, Denmark 

               New York, NY, Randers Kunstmuseum, Randers, Denmark 

               Contemporary Drawings, Barbara Krakow, Boston, MA

               Four New York, NY Artists, Jack Tilton Gallery, New York, NY

               Rotating Group Show, Paula Cooper Gallery, New York, NY

               Speed Trials, White Columns, New York, NY

               Joseph Nechvatal / Not Vital / Robin Weglinski, Gallery Nature Morte, New York, NY

 

1982       The Atomic Salon, Ronald Feldman Gallery, New York, NY

 

1981       New Drawings, The Drawing Center, New York, NY 

               The Positive Show, ABCNo Rio, New York, NY

               The Inauguration Show, ABC No Rio, New York, NY

               The Doomsday Show, Artists Space, New York, NY

               The Monumental Art Show, Brooklyn, NY

               Free Speech on Broadway Performance, Performance with Carol Parkinson and Cid Collins, New 

              York, NY

 

1980       Colab : Collaborative Projects, Brooke Alexander, New York, NY

               Murder, Suicide &, Junk, ABC No Rio, New York, NY

               The Times Square Show, Times Square, New York, NY

               Artists for Survival, ABC No Rio,

 

1978       European Art/Performance, with Carol Parkinson and Cid Collins, Tour Centre of Experimental 

              Theatre, Antwerp

               European Art/Performance, with Carol Parkinson and Cid Collins, Ecole d'Architecture, Tournai

               European Art/Performance, with Carol Parkinson and Cid Collins, Theatre on the Rijn, Arnhem, 

              The Netherlands

Selected Installations and Performances

 

2020      Wave Farm Radio WGXC 90.7-FM broadcast the complete viral symphOny on June 6th         Harvestworks, on June 23, 2020 at 5 pm, broadcast on Twitch.tv/harvestworks of the CD first                 movement of viral symph0ny by Joseph Nechvatal with interviews with the artist

Wave Farm WGXC radio 90.7-FM broadcas Cave Bacchus Destroyer of Naivetés on June 20th

2018      Pull My Crazy : a conversation on culture with Jean-Jacques Lebel and Joseph Nechvatal, Mona

               Bismarck American Center Paris

 

2016      1% Owns 50% of the World, Anthology Film Archives, New York City, May 16-22nd

              Four screen installation of 1% Owns 50% of the World at Harvestworks, New York City, May 27th

 

2015      Les 1% possèdent 50% du monde, animation projection, Galerie Richard Paris,September 27th

3 pOstmOrtems (for Dieter Roth), noise music performance at Art Laboratory Berlin, Berlin

 

2010      viral symphOny: a-life live projection followed by viral cOncertO a musical collaboration with Rhys

              Chatham, Galerie Jean-Luc & Takako Richard, Paris, September 26th

 

2002     Victoria High Quality reads ~~venus©-~Ñ~vibrator, even, Universal Concepts Unlimited, NYC

 

 

1991      Dilation, performed by the ballerina Lauren Houser at the residence of Bil Ehrlich, New York, NY

 

 

1989     The Man Who Believed He Could Move: A Celebration of the Bicentennial of the French 

              Revolution, collaboration with Yves Musard, Dia Art Foundation, New York, NY

 

1987      Not a Door; A Spectacle, collaboration between Scott B. Billingsley and Nechvatal, Hallwalls, 

               Buffalo NY

 

1986     XS: The Opera, a collaboration with with Rhys Chatham, Shakespeare Theatre, Boston

 

1985      The End of the Night, a video collaboration with with Rhys Chatham, Los Angeles County Museum

               of Art, XS: Night of Power, a collaboration with with Rhys Chatham, 8 BC, New York, NY

              XS: installation collaboration with with Rhys Chatham in Purgatorio Show ‘85, CUANDO, New 

              York, NY

 

1984      XS: The Opera Opus, a collaboration with with Rhys Chatham, Pyramid Club, New York, NY, Club

              Danceteria, New York, NY, 8 BC Club, New York, NY, Dannheisser Foundation, New York, NY

 

1983       Isle of Dread, Lower Manhattan Cultural Council, 71 Broadway and 120 Broadway, New York, NY

                Future V Installation, 93 Prince Street, New York, NY, ABC-NO RIO Island of Negative Utopia, 

                Feb 1-5, co-producer with Seton Smith, The Kitchen, New York, NY

 

  1982        Blame it on the Brain Installation, Zippers Night Club, New York, NY

 

  1981      The End of the World, Real Art Ways, Hartford, CT

                   Contemporary Psychedelia Installation, Club Inroads, New York, NY

 

  1980       Free Speech on Broadway, art performance with Carol Parkinson and Cid Collins, New York, NY

 

1979      co-organizer of 3 day Public Arts International / Free Speech performance series at 75 Warren

               Street, New York, NY

 

1978      European Art/Performance with Carol Parkinson and Cid Collins, Tour Centre of Experimental

              Theatre,  Antwerp, Belgium touring to  Ecole d'Architecture, Tournai, Belgium and Theatre on the

               Rijn, Arnhem, The Netherlands

 

 

Selected Bibliography 

 

2012       Bird, Michael. 100 Ideas that Changed ART, Laurence King Publishing Ltd. pg. 199

 

2009       Shanken, Edward. Art and Electronic Media, Editions Phaidon

               Leiser, Wolf. Digital Art, H.F. Ullman/Tandem Verlag

 

2007       Fisher,Ebon. Wigglism, Leonardo, Vol. 40, Number I,  p 40,  image p. 43

               Couchot, Edmond. Des Images, du temps et des machines, édité Actes Sud, pp. 263-264

 

2006       Kuspit, Donald. Arte Digital y Videoarte, Circulo de Bellas Artes Madrid, p. 33-35, illust 2,3&4

               de Lafayette, Maximillien. United States and the World Face to Face: America's Best and Worst 

               Popper, Frank. From Technological to Virtual Art, MIT Press, pp. 120-123

               Wands, Bruce. Art in the Digital Age, Thames & Hudson Ltd, p. 65

 

2005       Blais, Joline & Ippolito, Jon. The Edge of Art,Thames & Hudson Ltd, p. 213 

               Reingold, Ken. Interactive Electronics for Artists and Inventors

               Kuspit, Donald. The Matrix of Sensations, artnet web magazine,

 

2004       Debailleux, Henri-François. Peinture. Les travaux de Joseph Nechvatal exposés à Paris,

                Libération, Oct. 27 

               Taylor, Brandon. Joseph Nechvatal in Collage book, Thames & Hudson Ltd, p. 221

               Reed, John. Joseph Nechvatal, Artforum Web 3-2004 Critc’s Picks

               Liu, Alan. Joseph Nechvatal in the book The Laws of Cool, Chicago Press, pp. 331-336 & 485-486

               Rogue, Évelyne. Interview with Joseph Nechvatal, artcogitans.com

               Rogue, Évelyne. Monographie sur CD de Joseph Nechvatal,      

               http://www.artcogitans.com/Fr./Actus/E.Rogue.CD.J.Nechvatal.doc.pdf

               Suzanne Anker on Joseph Nechvatal in “reprotech” catalog

 

2003       Lewis, Joe. vOluptuary: an algorithmic hermaphornology,Art in America, March issue

               Christiane Paul on Joseph Nechvatal in Digital Art (Thames & Hudson), pp. 57-58

               Rachel Greene on Joseph Nechvatal, March 26, www.rhizome.org

               Roth, David M. Postfesh, Artweek, April 

               Maline, Sarah. Joseph Nechvatal in “ polyALTERITY” UMF catalog

2002       Morgan, Robert C. vOluptuary: an algorithic hermaphornology, Tema Celeste Magazine #93, p. 94

               Johnson, Ken. Joseph Nechvatal, New York Times

               Weidle, Barbara. Computer paintings, artnet.com

 

2001       Wylde, Nanette. Regarding a Digital Aesthetic: Speculation in Context

               Kevin Haas, Kevin. Joseph Nechvatal, http://www.accumulated.org/sgc.html

               Lovejoy, Margot. Joseph Nechvatal in "Postmodern Currents: Art and Artists in the Age of 

                Electronic Media", Prentice Hall Press

               Levy, Ellen. Joseph Nechvatal in “Responses”, Art Journal, Spring 

2000       Morgan, Robert C. Joseph Nechvatal at Universal Concepts Unlimited, NY Arts Magazine, Dec p.69

               Ebony, David. Joseph Nechvatal at Universal Concepts Unlimited, Artnet Magazine     

               Garnett, Joy. Newsgrist's Top 3: Nechvatal, Held, Ritchie, Newsgrist, Vol. 1, No. 51

               Morgan, Robert C. Digital Hybrids, pp. 75-76, in Art Press #255 (March)

 

1999       Johnston, John. Machinic Vision, p.39, in Critical Inquiry, Vol. 26, No. 1

                Krueger, Richard. Digital Hybrids Catalog,  p. 5,Youngstown

                Miller, Paul D. The Techno-Digital Sublime, Artbyte, Sept/Oct.

 

1996       Enstice, Wayne & Peters, Melody. Drawing: Space, Form, & Expression, New Jersey: Prentice Hall, 

                pp.312-313

               Murphy, Jay. Joseph Nechvatal, Galeries Magazine

               Staff. Bilder Zwischen Kulturwert und Schaulust, Kunstmarket Koln

               staff. Joseph Nechvatal: Computervirussen, Aalst Press

 

1995       staff. Art Enters The Digital Age, Art News, Sept/Oct. 

               staff. Joseph Nechvatal's Virus Developement, Cause Toujours #2, May

               staff. Joseph Nechvatal, CD-Media, June 

               Ambert, Cécile. Virus Project, Nov Art, June

               Hémery, Annick. Le Clone Du Trim, Joseph Nechvatal, Clone, May

               staff. Joseph Nechvatal, Libération, 24 mars

               Picard, Gilles-François. Les Mystères de l'art Fractal, La Gazette No 2, March 17

 

1994       staff. Computer Virus Project, Bomb 

               staff. Joseph Nechvatal, Gazet Van Antwerpen

                staff. Joseph Nechvatal; Computerbilder, Kunst Munich

                Hémery, Annick. Joseph Nechvatal sur les traces de Pasteur

 

1993       Morgan, Robert C. Nechvatal’s Visionary Computer Virus, dans Gruson, L. ed. Joseph 

               Nechvatal: Computer Virus Project, Arc-et-Senans: Fondation Claude-Nicolas Ledoux, pp. 8-15

               staff. Digital Diseases, Details, Nov.

               staff. Joseph Nechvatal, l'art sur ordinateur, Le Progrès, August

               Conde, Susan. La Fractalité dans l'Art, June

               Morgan, Robert C. Joseph Nechvatal: Lamentations of the Soul, After the Deluge

               Pagel, David. Techno Domination, Los Angeles Times, Sep.

               Gruson, L. A Case of Contamination, In Gruson, L. ed.

               Joseph Nechvatal: Computer Virus Project, Arc-et-Senans: Fondation Claude-Nicolas Ledoux

 

1992       Andre, Michael. Joseph Nechvatal, Cover, April    

Hagen, Charles. A Show of Five Artists Who Use the Look of Photo Reproduction, The New York

Times, May 18

               Pocock, Philip. Interview with Joseph Nechvatal, Journal of Contemporary Art 

 

1991       Crockett, Tobey. I, Robot, Village View, March 1-7

               Frank, Peter. Art Pick of the Week, LA Weekly, March 22-28

               Tonkinson, Carole. Footloose, Elle Magazine, May

 

1990       Amine, Patrick. Joseph Nechvatal, Galerie Antoine Candau, Art Press

               Borum, Jenifer P. Joseph Nechvatal, Artforum, Oct.

               Cyphers, Peggy. Joseph Nechvatal, Arts, Sep.

               Engelhorn, Patrizia. Landspace of Points, Prinz Magazine, Nov.

               Groome, Carle VP. Ex Statis by Joseph Nechvatal, Ear, Oct.

               Pallentin, Christian. Kunst, Siam, Dec.

 

1989       staff. Joseph Nechvatal, Los Angeles Times, March 10

               Collins,Tricia & Milazzo, Richard. Hyperframes: A Post-Appropriation Discourse, Vol 1

               Ehinger, Asa. Joseph malar med dator, Sydsvenskan, Lund

               Frank, Peter. Pick of the Week, LA Weekly, April 7-13

               French, David. Joseph Nechvatal, Artscene, March

               Geer, Suvan. Joseph Nechvatal, L. A. Times, Dec. 1

               Lovejoy, Margot. Postmodern Currents: Art and Artists in the Age of  Electronic Media, UMI 

               Research

               Kandel, Susan. Joseph Nechvatal, Arts 

               Marks, Ben. A Technology Under Control, Artweek, March

 

1988       Bromberg, Craig. The Collaborative Itch, ArtNews, Nov.

               McCormick, Carlo. Joseph Nechvatal, Artforum, March

               Miller, John. Joseph Nechvatal, Artscribe 

               Morgan, Robert C. Joseph Nechvatal, Arts, March

               Sem-Sandberg, Steve. Vart Visuella Kaos (Our Visual Chaos), Svenska Dagladet, Dec.

               Smith, Lawrence R. and Hagley, Doug. An Interview with Joseph Nechvatal, Caliban 5

               Zellen, Jody. Joseph Nechvatal at Shoshana Wayne, Art Issues 

 

1987       Hoog, Eckhard. Im Dschungel der Bilder Joseph Nechvatal im Aachener Kunstverein, Aachener

                Volkszeitung, May

                Levi, Corrado. Joseph Nechvatal, Cover, Feb.

                Lottmann, Joachim. Documenta-Eindrucke von der Eroffnung, Wolkenkratzer Art Journal 

                Malsch, Friedemann. Joseph Nechvatal Galerie Anna Friebe, Kunstforum, Jan.

                Siffrin-Peters, Annette. Gewirr aus feinen Linien, Documenta-Teilnehmer

                Joseph Nechvatal vorab in Aachen zu sehen, Aachener Nachrichten, May

 

1986       Collins, Tricia and Milazzo, Richard. New York, NY: Tropical Codes, Kunstforum, March

               Collins, Tricia and Milazzo, Richard. Joseph Nechvatal: Grace Under Pressure, Differentia 

               McCormick, Carlo. Joseph Nechvatal, Unsound Magazine, Vol.3 No.1

               Larson, Kay. The Flash of Truth, New York, NY Magazine, Oct.

               Levin, Kim. Artwalk, Village Voice, Oct.

               Levin, Kim. Joseph Nechvatal, The Village Voice, Oct

               Morlung, Ursula. Pollock als Vorbild: Joseph Nechvatal in der Galerie Anna Friebe, Külner Stadt  

Oct

Raab, Jörgen. Humanisierung der Technik: Joseph Nechvatal bei Anna Friebe, Külner Illustrierte,   Nov.

 

1985       Collins, Tricia and Milazzo, Richard. The New Sleep: Stasis and the Image-Bound Environment,

Art Journal 

               Crary, Jonathan. Joseph Nechvatal at Brooke Alexander, Art in America, Jan.    

               Moore, Alan and Miler, Marc. ABC No Rio Dinero: The Story of a Lower East Side Art Gallery,   

               Published by ABC No Rio with Collaborative Projects Inc. New York, NY

               Pincus-Witten, Robert. The New Irascibles, Arts, Sept.

               Raynor, Vivian. Joseph Nechvatal, The New York, NY Times, Oct.

 

1984       Brooks, Rosetta. Interview-Rhys Chatham & Joseph Nechvatal, ZG

               Cotter, Holland, Joseph Nechvatal, Arts, Nov.

               Deak, Edit. The Critic Sees through the Cabbage Patch, Artforum, April

               Fisher, Jean. Joseph Nechvatal, Artforum, Jan.

               Glueck, Grace. Joseph Nechvatal, The New York, NY Times, Sept.

               Jones, Ronald. Joseph Nechvatal, Arts, Dec.

               Kleyn, Robert, The Shadow Reflected, ZG 

               Kleyn, Robert, Protective Mimicry, Vanquard, March

               Kuspit, Donald. Joseph Nechvatal, Artforum, Dec.

               Masheck, Joseph. Smart Art, Published by Willis, Locker & Owens, New York, NY

               Robinson, Walter and McCormick, Carlo. Slouching Toward Avenue D, Art in America

 

1983       Fine, Kimberly. Joseph Nechvatal, East Village Eye, Oct. 15

               Levin, Kim.  Shock of the Old, Village Voice, Sep. 27

               Levin, Kim. Joseph Nechvatal / Not Vital / Robin Weglinski, The Village Voice, May

               McCormick, Carlo. Joseph Nechvatal, New York, NY Beat, Dec.

 

1982       Lawson, Thomas. Joseph Nechvatal (The Kitchen), Artforum, April

               Raynor, Vivian. The Automatic Salon, The New York, NY Times, June

               Russell, John. Inaugural Show-Jack Tilton Gallery, The New York, NY Times, Oct. 7

 

 

Selected publications

 

2020

Stéphanie Lemoine, Imaginaires du virus, Le Journal des Arts, May 12th issue Kenneth Goldsmith, Duchamp Is My Lawyer: The Polemics, Pragmatics, and Poetics of UbuWeb, Columbia University Press, New York, p. 243

Bradley Rubenstein, Press Eject and Give Me the Tape: Dialogues, Interviews and Exchanges 2001-2020,      

 J. Nechvatal Interview with Taney Roniger & Bradley Rubenstein, Meridian Art Publishing, pp. 42-52

 

2018

Paul Crowther, Digital Art: Aesthetic Creation, Routledge, London & New York, pp.130 – 134 (2 images)

Gary Indiana, Vile Days: The Village Voice Art Columns 1985–1988, edited by Bruce Hainley, Semiotext(e) pp. 200 & 237

Matthias Mayer, The Real Estate Show: Extended Berlin, Kunstpunkt Berlin, 1 image

Florian Balotescu, Spatiul Poetic, Editura Tracus Arte, pp. 409,479-478,501 & image on the book cover

2015

Max Schumann (ed.), A Book About Colab (and Related Activities) Printed Matter, Inc, pp. 101 (on my Free Speech: Performance Art Festival), 153, 161 (3 video images), 172 (full page text by Nechvatal on Colab), 175 (full page image), 207 (image bottom left), 214 (2 images top of the page), 229 (in top photo, second to the right)

Thyrza Goodeve, The Migrant as Conscientous Objector: Joseph Nechvatal Interview, December/January 2015-2016,The Brooklyn Rail, pp. 14,15,16

Taney Roniger, Infected Paintings as an Allegory of Migration, Hyperallergic.com December 7, 2015

Alex Woolf, The Impact of Technology in Art, Heinemann Press, ISBN-10: 1484626400, pp 12-13

GianCarlo Pagliasso, Il deficit estetico nell'arte contemporanea. Un'analisi critica della forma-merce figurativa nel XXI secolo, Marcovalerio (collana Saggi) p.108

 

2014

Charlene Spretnak, The Spiritual Dynamic in Modern Art : Art History Reconsidered, 1800 to the Present, Palgrave Macmillan, p. 135, image #13

Marie-Laure Ryan, Lori Emerson, and Benjamin J. Robertson (eds), The Johns Hopkins Guide to Digital Media, Johns Hopkins University Press, p.501

GianCarlo Pagliasso, Cosmo e Virus: Joseph Nechvatal a Parigi, Zeta rivista internationale de poesia e ricerche, December 2014, page 3 (full page with 3 reproductions)

 

2013

Richard Milazzo, Introduction, Peter Halley, Selected Essays 1981-2001, Edgewise Press, NY, 2013, pp. 34-35

Patrick Lichty, Variant Analyses: Interrogations of New Media Art and Culture, Amsterdam, pp. 5, 83, 166

 

2012

Michael Bird, 100 Ideas that Changed Art, Laurence King Publishing Limited. 2012, pp. 198-199, reproduction of the painting Orgiastic abattOir : flawless ignudiO 

Douglas Dreishpoon, Louis Grachos & Heather Pesanti,, Decade: Contemporary Collecting 2002-2012, Albright-Knox Art Gallery, Buffalo, New York, 2012, p. 382, reproduction of two drawings from 1984

Thomas Bey William Bailey, Unofficial Release: Self-Released And Handmade Audio In Post-Industrial Society, Belsona Books Ltd., pp. 88-89, 2012

GianCarlo Pagliasso, nOise anusmOs, Verso #81 (Traduit de l'italien par Gérard-Georges Lemaire)

Jamie Allen, Book review of Joseph Nechvatal’s Immersion Into Noise, continent.2.1

The Lookout: Joseph Nechvatal at Galerie Richard, Art in America Staff, April 2012, Art in America

 

2011

Dominique Moulon, Art contemporain nouveaux médias, éditions Scala, 2011, p. 108

Gwen Allen, Artists' Magazines: An Alternative Space for Art', The MIT Press, 2011, p. 304

 

2010

Manuela de Barros, Noisy Viral Threat : Joseph Nechvatal: Review of Art rétinal revisité: histoire de l’oeil Published in Digitalarti Mag #4 October 2010

 

2009

Edward A. Shanken, Art and Electronic Media. London: Phaidon, pp. 42, 285, 160

Corrado Levi, È andata così: Cronaca e critica dell'arte 1970-2008, Joseph Nechvatal intervistato nel suo studio a New York (1985-86), pp. 130-135

 

2008

Marie-Paule Nègre, Des artistes en leur monde, volume 2, la Gazette de l'Hotel Drout, pp. 82–83

John Johnston, The Allure of Machinic Life: Cybernetics, Artificial Life, and the New AI, MIT Press, cover

The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, National Gallery of Art, pp. 191 & 227

 

2007

Ebon Fisher, Wigglism, Leonardo, Vol. 40, Number I, p 40, color image p. 43

Dominique Moulon, Conférence Report : Media Art in France, Un Point d'Actu, L'Art Numerique, pp. 124–125

 

2006

Frank Popper, From Technological to Virtual Art, MIT Press, pp. 120-123

Bruce Wands, Art in the Digital Age, Thames & Hudson Ltd, p. 65

Brandon Taylorhttp://en.wikipedia.org/wiki/Collage, Thames & Hudson Ltd, p. 221

Donald Kuspit, Arte Digital y Videoarte, Circulo de Bellas Artes Madrid, p. 33-35, color illustrations 2,3& 4

Dennis Michael Jon & Kristin Makholm, Vermillion Editions Limited: A History and Catalogue 1977-1992, pp. 186-187, illustrations of Nechvatal prints The Sex Prayers (1985) p. 86 & Push (1985-93) p. 87, Minneapolis Institute of Arts

Maximillien de Lafayette,United States and the World Face to Face: America's Best and Worst

 

 

2005

Joline Blais and Jon Ippolito, The Edge of Art,Thames & Hudson Ltd, p. 213

Mario Costa, Phenomenology of New Tech Arts, Artmedia, Salerno, p. 6 & pp. 36 – 38

Ken Reingold, Interactive Electronics for Artists and Inventors

Donald Kuspit, The Matrix of Sensations, artnet web magazine,

http://www.artnet.com/magazineus/features/kuspit/kuspit8-5-05.asp

 

2004

Christine Buci-Glucksmann,L’art à l’époque virtuel, in Frontières esthétiques de l’art, Arts 8, Paris: L’Harmattan

Henri-François Debailleux, Peinture. Les travaux de Joseph Nechvatal exposés à Paris, 27 octobre 2004, Liberation 

Brandon Taylor on Joseph Nechvatal in the book Collage, Thames & Hudson Ltd, p. 221

Dominique Moulon, L'art numérique: spectateur-acteur et vie artificielle, Les images numériques #47-48, pp. 124–125

John Reed “Joseph Nechvatal” Artforum Web 3-2004 Critc’s Picks

Alan Liu on Joseph Nechvatal in the book The Laws of Cool, Chicago Press, pp. 331-336 & 485-486

Évelyne Rogue “Interview with Joseph Nechvatal” artcogitans.com (defunct site) now pdf archived at Internet Archive Org

Évelyne Rogue, Monographie sur CD de Joseph Nechvatal

Suzanne Anker on Joseph Nechvatal in “reprotech” catalogue

 

2003

Joe Lewis “vOluptuary: an algorithmic hermaphornology” March issue Art in America

Christiane Paul on Joseph Nechvatal in Digital Art (Thames & Hudson) 2003, pp. 57-58

Rachel Greene on Joseph Nechvatal, March 26th Rhizome 

David M. Roth ‘Postfesh’ Artweek April 2003 

Sarah Maline on Joseph Nechvatal in “ polyALTERITY” UMF catalogue

 

2002

Robert C. Morgan “vOluptuary: an algorithic hermaphornology” Tema Celeste Magazine #93 (p. 94) Fall

Ken Johnson, “Joseph Nechvatal” Art Guide, New York Times, June 7

Barbara Weidle “Computer paintings” Artnet

 

2001

Nanette Wylde Regarding a Digital Aesthetic: Speculation in Context

Kevin Haas on Joseph Nechvatal at http://www.accumulated.org/sgc.html

Margot Lovejoy on Joseph Nechvatal in "Postmodern Currents: Art and Artists in the Age of Electronic Media” Prentice Hall Press

Ellen Levy on Joseph Nechvatal in “Responses” Art Journal Spring 2001

 

2000

Robert C. Morgan, “Joseph Nechvatal at Universal Concepts Unlimited” NY Arts Magazine, Dec.Issue, p.69

David Ebony, “Joseph Nechvatal at Universal Concepts Unlimited” Artnet Magazine - http://www.artnet.com/Magazine/reviews/ebony/ebony(3)11-22-00.asp

Joy Garnett, “Newsgrist's Top 3: Nechvatal, Held, Ritchie” Newsgrist, Volume 1, no. 51 (2000)

Robert C. Morgan, “Digital Hybrids” pp. 75-76, in Art Press #255 (March)

 

1999

John Johnston, "Machinic Vision” p.39, in Critical Inquiry, Vol. 26, No. 1

Richard Krueger, Digital Hybrids Catalogue, p. 5,Youngstown

Paul D. Miller, The Techno-Digita Sublime, Artbyte, Sept/Oct

 

1996

Wayne Enstice & Melody Peters, Drawing: Space, Form, & Expression, New Jersey: Prentice Hall, pp.312-313

Jay Murphy, "Joseph Nechvatal” Galeries Magazine

staff, "Bilder Zwischen Kulturwert und Schaulust" Kunstmarket Koln

staff, "Joseph Nechvatal: Computervirussen” Aalst Press

 

1995 

staff, "Art Enters The Digital Age” Art News, Sept/Oct 

staff, "Joseph Nechvatal's Virus Developement” Cause Toujours #2, Mai

staff, "Joseph Nechvatal” CD-Media, Juin 

Cécile Ambert, "Virus Project” Nov Art, Juin,

Annick Hémery, Le Clone Du Trim, Joseph Nechvatal, Clone Mai,

staff. "Joseph Nechvatal” Liberation (March 24)

Picard, Gilles-Francois "Les Mysteres de l'art Fractal” La Gazette No II (17 Mars)

 

1994    

staff. "Computer Virus Project” Bomb (Winter)

staff, "Joseph Nechvatal” Gazet Van Antwerpen

staff, "Joseph Nechvatal; Computerbilder” Kunst Munich

Annik Hémery, “Joseph Nechvatal sur les traces de Pasteur” Imaginet

 

1993    

Morgan, Robert C. “Nechvatal’s Visionary Computer Virus” In Gruson, L. ed. 1993. Joseph Nechvatal: Computer Virus Project. Arc-et-Senans: Fondation Claude-Nicolas Ledoux, pp. 8-15

staff. "Digital Diseases” Details (November)

staff. "Joseph Nechvatal, l'art sur ordinateur” Le Progress (August)

Conde, Susan "La Fractalité dans l'Art" (June)

Morgan, Robert C. "Joseph Nechvatal: Lamentations of the Soul" After the Deluge book)

Pagel, David "Techno Domination” Los Angeles Times (September)

Gruson, L. “A Case of Contamination” In Gruson, L. ed. 1993. Joseph Nechvatal: Computer Virus Project. Arc-et-Senans: Fondation Claude-Nicolas Ledoux, pp. 6-7

 

1992    

Andre, Michael "Joseph Nechvatal” Cover (April)

Hagen, Charles "A Show of Five Artists Who Use the Look of Photo Reproduction” The New York, NY Times (May 18)

Pocock, Philip "Interview with Joseph Nechvatal” Journal of Contemporary Art (Fall)

Frank, Peter "Art Pick of the Week” LA Weekly (March 22-28)

Mennetrier, J.L. "Joseph Nechvatal nouveau ' locataire' de la residence d'artiste” La Voit du Jura (September)

Tonkinson, Carole "Footloose” Elle Magazine (May)

1991

Crockett, Tobey "I, Robot James Rosenquist and Joseph Nechvatal” Village View, L.A.  (March 1)

 

1990    

Amine, Patrick "Joseph Nechvatal, Galerie Antoine Candau” Art Press

Borum, Jenifer P. "Joseph Nechvatal” Artforum (October)

Cyphers, Peggy "Joseph Nechvatal” Arts (September)

Engelhorn, Patrizia "Landspace of Points” Prinz Magazine (November)

Groome, Carle VP. "Ex Statis by Joseph Nechvatal” Ear (October)

Pallentin, Christian "Kunst” Siam (December)

Steinlechner, Carin "Joseph Nechvatal” Donnerstag (October)

 

1989

staff "Joseph Nechvatal” Los Angeles Times (March 10)

Collins,Tricia & Milazzo, Richard "Hyperframes: A Post-Appropriation Discourse” Vol 1

Ehinger, Asa "Joseph malar med dator” Sydsvenskan, Lund

Frank, Peter "Pick of the Week” LA Weekly (April 7-13)

French, David "Joseph Nechvatal” Artscene (March)

Geer, Suvan "Joseph Nechvatal” L. A. Times, (December 15)

Lovejoy, Margot "Postmodern Currents : Art and Artists in the Age of Electronic Media” UMI Research

Kandel, Susan "Joseph Nechvatal” Arts (Summer)

Marks, Ben "A Technology Under Control” Artweek (March)

 

1988

Bromberg, Craig "The Collaborative Itch” ArtNews (November)

McCormick, Carlo "Joseph Nechvatal” Artforum (March)

Miller, John "Joseph Nechvatal” Artscribe (Summer)

Morgan, Robert C. "Joseph Nechvatal” Arts (March)

Sem-Sandberg, Steve "Vart Visuella Kaos" (Our Visual Chaos) Svenska Dagladet (December 2)

Smith, Lawrence R.- and Hagley, Doug "An Interview with Joseph Nechvatal” Caliban 5

Zellen, Jody "Joseph Nechvatal at Shoshana Wayne” Art Issues (Summer)

1987

Hoog, Eckhard "Im Dschungel der Bilder Joseph Nechvatal im Aachener 

Kunstverein” Aachener Volkszeitung (May 22)

Levi, Corrado "Joseph Nechvatal” Cover (February)

Lottmann, Joachim "Documenta-Eindr¸cke von der Erroffnung" Wolkenkratzer Art Journal (summer)

Malsch, Friedemann "Joseph Nechvatal Galerie Anna Friebe" Kunstforum (January)

Siffrin-Peters, Annette. Gewirr aus feinen Linien. Documenta-Teilnehmer

Joseph Nechvatal vorab in Aachen zu sehen, Aachener Nachrichten (May 22)

 

1986

Collins, Tricia and Milazzo, Richard "New York, NY: Tropical Codes” Kunstforum (March)

Rockwell, John, “Where Avant-Garde Meets Rock-and-Roll, Music Flourishes” New York Times (July 27)

Palmer, Robert “The Names May Change, But the Beat Goes On” New York Times (June 19th)

Collins, Tricia and Milazzo, Richard "Joseph Nechvatal: Grace Under Pressure” Differentia (Fall)

McCormick, Carlo " Joseph Nechvatal” Unsound Magazine (Vol.3 No.1)

Larson, Kay "The Flash of Truth” New York, NY Magazine" (October 27)

Levin, Kim "Artwalk” Village Voice (October 21)

Levin, Kim "Joseph Nechvatal" The Village Voice (October 14)

Morlung, Ursula "Pollock als Vorbild: Joseph Nechvatal in der Galerie Anna Friebe” Kölner Stadt (Oct.24)

Raab, Jörgen "Humanisierung der Technik: Joseph Nechvatal bei Anna Friebe” Külner Illustrierte (Nov)

 

1985

Collins, Tricia and Milazzo, Richard "The New Sleep: Stasis and the Image-Bound Environment” Art Journal   (Fall)

Crary, Jonathan "Joseph Nechvatal at Brooke Alexander”Art in America (January)

Moore, Alan and Miler, Marc "ABC No Rio Dinero: The Story of a Lower East Side Art Gallery” Published by ABC No Rio with Collaborative Projects Inc. New York, NY

Pincus-Witten, Robert "The New Irascibles” Arts (September)

Raynor, Vivian "Joseph Nechvatal” The New York, NY Times (October 18)

 

1984

Brooks, Rosetta "Interview-Rhys Chatham & Joseph Nechvatal” ZG, (#12 Fall)

Cotter, Holland "Joseph Nechvatal” Arts (November)

Deak, Edit "The Critic Sees through the Cabbage Patch” Artforum, (April)

Fisher, Jean "Joseph Nechvatal” Artforum, (January)

Glueck, Grace "Joseph Nechvatal” The New York, NY Times (September 21)

Jones, Ronald "Joseph Nechvatal” Arts (December)

Kleyn, Robert "The Shadow Reflected” ZG (#12 Fall)

Kleyn, Robert "Protective Mimicry” Vanquard (March)

Kuspit, Donald "Joseph Nechvatal” Artforum (December)

Masheck, Joseph Smart Art, Published by Willis, Locker & Owens, New York, NY

Robinson, Walter and McCormick, Carlo "Slouching Toward Avenue D” Art in America (Summer)

Iackson, Isaac “Messages” Folio, (February) p. 14

 

1983

Fine, Kimberly "Joseph Nechvatal East Village Eye (October15)

Levin, Kim " Shock of the Old” Village Voice (September 27)

Levin, Kim "Joseph Nechvatal / Not Vital / Robin Weglinski” The Village Voice (May 17)

McCormick, Carlo "Joseph Nechvatal” New York, NY Beat (December)

 

1982

Lawson, Thomas "Joseph Nechvatal (The Kitchen)” Artforum (April)

Raynor, Vivian "The Automatic Salon” The New York, NY Times (June 18)

Russell, John "Inaugural Show-Jack Tilton Gallery” The New York, NY Times (October 7)

 

 

 

Public and Private Collections

 

The Museum of Modern Art, New York, NY, USA

Los Angeles County Museum of Art, Los Angeles, USA

Museum of Contemporary Art, Los Angeles, USA

The Art Institute of Chicago, Chicago, USA

Israel Museum, Jerusalem, Israel

Jubitz Center for Modern and Contemporary Art, Portland Art Museum, Portland, Oregon

artothek: Raum für junge Kunst, Köln, Germany

The Schyl Foundation, Malmo Konsthall, Sweden

The Olsson Art Collection, Stockholm, Sweden

The Jewish Museum, New York, NY, USA

Moderna Muset, Stockholm, Sweden

New Mexico Museum of Art, Museum of New Mexico, Santee Fe, New Mexico, USA

Albright-Knox Art Gallery, Buffalo, New York, USA

Smithsonian American Art Museum, Washington, DC, USA

Musée Leon Dierx, La Reunion, France

Frac Franche-Comté, France

Museum of Art, Rhode Island School of Design, Providence, Rhode Island, USA

Saline Royale, Arc-et-Senans, France

Saint Louis Art Museum, St. Louis, Missouri, USA

Musée de Dole, Dole, France

Portland Museum of Art, Portland, Maine, USA

Rose Goldsen Archive of New Media Art at Cornell University, Ithaca, NY, USA

Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania, USA

Weatherspoon Art Gallery, University of North Carolina, Greensboro, USA

The Municipal Museum of Art, Györ, Hungary

Robert Shiffler Foundation, Greenville Ohio, USA

The Minneapolis Institute of Arts, Minneapolis, USA

Malmö Konsthall, Sweden

University of Michigan Museum of Art, Ann Arbor, Michigan, USA

University of Alaska Museum of the North, Fairbanks, Alaska, USA

Honolulu Academy of Arts, Honolulu, Hawaii, USA

Cedar Rapids Museum of Art, Cedar Rapids, Iowa, USA

Spencer Museum of Art, The University of Kansas, Lawrence, Kansas, USA

Academy Art Museum, Easton, Maryland, USA

Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis, Minnesota, USA

Columbia Museum of Art, Columbia, South Carolina, USA

South Dakota Art Museum, South Dakota State University, Brookings, South Dakota, USA (image    reproduced in The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, National Gallery of 

Art, 2008, p. 191)

Memphis Brooks Museum of Art, Memphis, Tennessee, USA

Blanton Museum of Art, University of Texas at Austin, Austin, Texas, USA

Nora Eccles Harrison Museum of Art, Utah State University, Logan, Utah, USA

Robert Hull Fleming Museum, University of Vermont, Burlington, Vermont, USA

Mississippi Museum of Art, Jackson, Mississippi, USA

Yellowstone Art Museum, Billings, Montana, USA

Marjorie Barrick Museum, University of Nevada Las Vegas, Las Vegas, Nevada, USA

Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, USA

Plains Art Museum, Fargo, North Dakota, USA

Akron Art Museum, Akron, Ohio, USA

Oklahoma City Museum of Art, Oklahoma City, Oklahoma, USA

University of Wyoming Art Museum, Laramie, Wyoming, USA (image reproduced in The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, National Gallery of Art, 2008, p. 227)